Our Tools, Ourselves: Jess Schreibstein

In Our Tools, Ourselves, we get to know fiber artisans of all walks, ages, styles and skill levels, by way of their tools. For more on the series, read the introduction.

Jess Schreibstein knitting and spinning

Jess Schreibstein amazes me. She is the blogger behind Witchin’ in the Kitchen and the founder and organizer of DC Food Swap. She cooks and cans, writes, makes paintings and magic spells, does beautiful lettering and illustration work (e.g.), and also holds down a day job at NPR. Oh, and she knits!

In addition to her blog, be sure to follow her on Twitter and Instagram (among other places linked from the top of her blog). Thanks for taking the time, Jess —

. . .

Do you knit, crochet, weave, spin, dye, sew … ?

I’m primarily a knitter, but I’ve really gotten into spinning this year, and I’ve worked with dyeing, batik, and weaving in the past. When I lived in Los Angeles for college, my aunt and I would travel to this fiber studio in the middle of the desert to weave on these massive, gorgeous looms that look like prehistoric beasts and dye fabric and roving using natural plant dyes with all of these kooky fiber ladies wearing crazy hats. It was really empowering to be surrounded by all of that craft and wisdom in the middle of nowhere.

My great grandma taught me to knit when I was in middle school. We’d sit in her living room in Delaware with the Weather Channel or Days Of Our Lives on the television and bowls of dried apricots within arm’s reach. Her mother was a Polish immigrant and she grew up very poor in a small Pennsylvania town. She learned to knit from neighborhood girls who taught her using metal nails as knitting needles. Pretty amazing. She spent her last years sitting in a big chair in that living room, knitting hundreds of baby hats for newborns, which she donated to a local hospital.

I am trained as an oil painter, but nowadays a lot of my creative work is on a smaller scale, like watercolor and pen illustrations, mostly due to time and space constraints. I also cook a lot. One of the reasons I love knitting is because it’s portable art – I can fit it into commutes and lunch breaks and the other nooks and crannies of my life easily. I don’t typically have the attention span or time for knitting anything beyond accessories, like hats, scarves, and fingerless gloves (LOTS of fingerless gloves).

Jess Schreibstein's handspun yarn

Tell us about your tool preferences and peccadilloes.

Bamboo needles all the way. I’ve tried working with metal needles, and the yarn always gets so slippery! And natural fibers are a must, even though they are so much more expensive than the acrylic yarn my great grandma knit with. They make the knitting process and finished product so much more pleasurable. My favorite comfort-food yarn is Malabrigo’s worsted merino wool. It comes in a brilliant array of colors and I love the way it looks and feels.

How do you store or organize your tools? Or do you?

Most of my yarn stash is stored in a big grass basket in the corner of my room. It’s overflowing with beautiful yarn that I’ve held onto for years hoping that that one perfect project will come along for each one. The rest of the yarn that doesn’t fit in the basket is stuffed into plastic Tupperware bins.

My mom sewed me this fantastic fabric needle holder that keeps most of my straight needles pretty well organized. I’ve also inherited dozens of colorful metal needles from my grandmother that I’ll probably never use (because I don’t like knitting on metal needles) but can’t bear to part with, because they came from her, that I keep in a fabric-covered metal tube thingy that she also gave me. All of my circulars are tangled in a gigantic knot of love in a plastic container.

How do you store or organize your works-in-progress? 

Um, I don’t? I’ve dropped lots of projects over the years that remain balled up in the corners of my dresser. The ones that I’m actually working on are typically in a tote bag by the side of my bed.

Jess Schreibstein's storage tube and scissors

Are there any particularly prized possessions amongst your tools?

I really love this one pair of scissors from India that are just beautiful to look at and work with. I’ve had them for a long time and I use them for everything, not just knitting. I also have this one skein of yarn that cost me $50, more than any other skein of yarn I’ve ever bought, that I acquired after college when I had no job or money but wanted it so badly. It’s still sitting in that stash basket, waiting for a project worthy of it to come along.

Do you lend your tools?

I’ll lend needles to my sister, but then I never get them back. I should probably stop doing that.

What is your favorite place to knit?

Most of the time when I’m knitting, I’m in bed, cross-legged, watching a TV series or listening to an audiobook (Game of Thrones is what’s up!). I also like knitting on the couch with my boyfriend or family, especially when they watch shows that I don’t really care for, because then I can still be sociable while also doing something productive and enjoyable for me too.

What effect do the seasons have on you?

Huge. The changing of the seasons affects me so deeply, and knitting is just one piece of how those emotional changes manifest themselves. Once the cool nights start creeping in and the shadows get long, I become more introspective, less social, and more drawn to my knitting needles. I can become pretty knitting-obsessive in the thick of winter when I really want a lot of alone time. Once spring arrives, I’ll typically put my needles away for the summer.

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

I only knit accessories. And it’s not that I don’t want to knit a sweater or some other bigger project – it’s just that I know that project will take a long time when I typically have some holiday gifts to whip up, and knitting a whole sweater or garment for myself feels kinda selfish. Even though I know it’s not? And I have a 90% finished sweater stuffed under my bed that’s been there for three years, and I haven’t mustered the energy to finish it. I’ll get to it eventually.

What are you working on right now?

I have a bag of Icelandic sheep fleece that I bought online and am spinning into a double-ply yarn on my drop spindle. I haven’t touched it since the spring, but the nights are getting cooler and it might be time to pick it up again. I also bought a big enamel pot at a thrift shop, and am excited to try my hand at dyeing my own yarn.

Jess Schreibstein's drop spindle

PREVIOUSLY in Our Tools, Ourselves: Sandra Juto

.

Photos © Jess Schreibstein

Our Tools, Ourselves: Elizabeth Yong (aka Primoeza)

In Our Tools, Ourselves, we get to know fiber artisans of all walks, ages, styles and skill levels, by way of their tools. For more on the series, read the introduction.

Elizabeth Yong of Primoeza knitting

It would not be an overstatement to say that Australian knitwear designer Elizabeth Yong, with her independent label Primoeza, is one of the most inspiring people I’ve come across since I began to knit a couple of years ago. Not only is her work beautiful and thoughtful and creative while always remaining eminently wearable, she has incredible personal style and her blog routinely causes my jaw to drop with admiration. So I’m thrilled to have her as today’s featured guest in Our Tools, Ourselves.

You can also find Elizabeth on Pinterest and Instagram.

. . .

Do you knit, crochet, weave, spin, dye, sew … ?

I am a machine knitter. I learnt how to use the machine when I studied Textile Design. I always loved knitwear but never expected to end up majoring in knit. However, during study, I found myself drawn to the process of forming the end piece at the same time as making the fabric. It really suits the way I think. I struggled with making small, abstract samples.

At the end of my studies I wasn’t that happy working in a routine 9-5 job so I decided to set up my label. It’s been a roller coaster ride and I’m just learning as I go, but I love what I do.

My knitting is not split between Primoeza and personal work. The division of a professional and personal life never interested me, I just wanted to discover what I loved doing and then do it all the time. I make things that I would like to wear myself and then I will spend time developing and refining them for my label.

As well as knitting, I sew a bit and enjoy free-form stitching, and I especially like to combine these techniques with knitwear.

Tell us about your tool preferences and peccadilloes.

With machine knitting, you need to use all the tools that come with the machine. Each tool looks very strange, has a very specific purpose and sports a discoloured plastic handle, since they were manufactured in the ’70s and ’80s. I don’t get much aesthetic pleasure out of them so I indulge in all the other things: scissors, threads, buttons. I like things made from wood, steel, linen and vintage horn. Things that have a patina and a nice weight to them.

I am both a collector and a minimalist so I am in a constant struggle with myself! These days, though, I appreciate having both mental and physical space so I prefer to buy less and buy better quality.

How do you store or organize your tools? Or do you?

I am a big believer in storing! I can’t think amongst clutter. I used to work for a Parisian man who imported luxurious fabrics from Europe and had beautiful furniture. One day he moved home and he gave me a big set of drawers that he used to keep all the fabric samples in. This treasured piece now houses most of my tools and materials. If that weren’t enough, I also have a small set of drawers from Ikea for little things I need to reach for daily.

Elizabeth Yong of Primoeza tools and storage

How do you store or organize your works-in-progress? 

I have more shelving for my yarn and finished products but the projects I am working on are spread all over my bench, my ironing board, my floor, my dining table …

Are there any particularly prized possessions amongst your tools?

My knitting machines are my biggest splurges. They’re all vintage but they’re getting quite expensive these days. There aren’t many machines in Australia either, so I had to get one shipped from the UK. And I still use a sewing machine that I bought when I was much younger with the proceeds of some tote bags I made and sold to shops. That was a proud moment!

Do you lend your tools?

No. Machine knitting requires a very specific set of tools and you’re screwed if you’re missing something.

What is your favorite place to knit and sew?

My studio – I work from my home and I have my cat for company during the day. I have a space with white brick walls and lots of natural light and it overlooks an acacia tree and a school yard. We live in inner Melbourne and when I need a break or inspiration, I can step out the front door and immediately become immersed in the galleries, shops and characters on the street. At night I might sit and watch a film and darn in ends. But machine knitting is such a different activity to hand knitting — it’s not cosy; it’s sitting at a bench, operating a noisy machine.

What effect do the seasons have on you?

I am an Autumn person but I knit all year round since it is my work. The only exception is in the height of summer when the heat and humidity affect the knitting so I have to ease up on it then. In that time I might do some sewing or planning for the months ahead.

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

I am very envious of hand knitters. My family and school were not crafty at all so I learned to knit as a mature age student. I feel like my skills are rudimentary compared to those who started knitting when they were young, but I work with what I have and I suppose it informs my style, which is a bit minimal and naïve.

What are you working on right now?

I have been working on lots of garment samples for a new collection. I became quite overwhelmed from so much knitting in the last year or two so I am trying to produce my pieces in a more sustainable way. It’s taking forever to get everything organised but I’m really excited about the next phase for Primoeza.

Elizabeth Yong of Primoeza supplies

PREVIOUSLY in Our Tools, Ourselves: Jerome Sevilla (aka Gridjunky)

.

Photos © Elizabeth Yong/Primoeza

Shirt/dress and a scarf, my summer wardrobe fantasy

shirt, dress and scarf by carrie hoge and primoeza

The thing these days is, I need some new clothes. Badly. And for various reasons, I both want and need to sew them. I’m fantasizing about smock dresses and shirt dresses and smockish shirtdresses, particularly this one. Things that are as easy to wear as they are to make. To keep from freezing in a light dress and bare legs, though, I’d need a nice little bit of wool around my shoulders and some funky ankle boots on my feet. (Ideally with wool socks in there.) So I’ve had a sort of vague image rolling around in the back of my mind, until I ran across these two photos in close proximity on Sunday afternoon. Together, they’re exactly the vibe I’m after — a softer version of my all-denim wardrobe.

On the left is Carrie Bostick Hoge’s newly sewn tank dress, from Jenny Gordy’s Wiksten Tank pattern, paired with her Imogen cowl, which has been on my to-knit list since, well, a few minutes after I learned to knit. I’m still in love with my denim Wiksten Tank and have wanted to make others, and Carrie’s deep-blue dress version gets my synapses firing.

On the right is the shop image for Elizabeth Yong of Primoeza’s Colour Edge Scarf, which has the most wonderful subtle stitch pattern, along with the contrast edge, and which looks amazing with that perfectly rumpled, blue-striped linen shirt. Ugh, want! (If you haven’t seen the latest batch of Primoeza scarves, you have to go look. Really brilliant work.)

So Carrie and Elizabeth have jointly snapped me into focus. Now all I need is a new pattern or two, some fabric, some yarn and … oh yeah, time. Sweet, precious, impossible time.

.

Of course, there’s also the notion of throwing a sweater around your neck, as demonstrated by A.L.C. in this week’s ICYMI: Next of the best of Resort 2013.

.