Someday vs. Right Away: Mosaic knitting

Someday vs Right Away: Mosaic knitting

Maybe the reason I keep saying I want to try my hand at mosaic knitting but never actually do it is that I keep favoriting blankets and scarves, and I apparently don’t knit blankets or scarves! Even Dami Hunter’s Southwest-inspired Kiva wrap (top) isn’t allover mosaic like some others I’ve daydreamed of knitting, and yet it’s a Someday project for me nevertheless. Meanwhile, Andrea Mowry’s new hat pattern, Tincture, is bite-size mosaic, highly tempting. Or there’s the possibility of a dishtowel or washcloth-sized appetizer such as Purl Soho’s Slip Stitch Dishtowels (free pattern).

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2017 FOs 14-16 : Pants and more pants

2017 FOs 14-16 : Pants and more pants

The most momentous thing for me this year, as a person trying to make most of her own clothes, was deciding to make pants as a part of my Summer of Basics. I think it’s at least as life-changing as having decided to make sweaters a few years ago. (Note that I’m saying “deciding” and not “learning” — making pants is sewing, and making sweaters is knitting. They are just different applications of those skills from what I had previously done, and it’s genuinely more about simply deciding to do it than anything else.) Up until a few months ago, the one giant piece of the wardrobe puzzle that I felt I couldn’t exert control over was pants. And that’s a big one for me since, A) I wear pants about 98% of the time, not being much of a skirts/dresses girl, B) I have fit issues with pants (most women’s pants don’t fit me) and C) I am incredibly picky about the shape of my pants. So to have such a key and complicated aspect of my wardrobe be at the mercy of others has been a lifelong challenge. And to have cracked that nut is enormous.

Certainly sewing jeans was a big effing deal, but these “toddler pants” (as I really need to stop calling them) have had a way more dramatic impact on my closet. And they’re so simple to make! Hence why I’ve now made 4 pairs of them. My lifelong preference is for wide-leg — I watched a lot of Katherine Hepburn movies when I was in high school — and that’s obviously a thing that comes and goes from stores. So I’ve always had to stock up when I find a pair I like. Which might also explain why I immediately cut out 3 more after making the first pair.

These are all essentially the same as my olive-green modified Robbie pants. To recap: I use the leg pieces from that pattern, with a few fit tweaks (noted below and previously), but with my own pockets and a 2″ waistband. Barring any dumb mistakes, I can cut and sew a pair in about 3 hours, so I’m tempted to cut up a lot more of my stash into these exact same pants. The exaggerated shape and utility pockets are both really current and really always-me, and the elastic waist suits my life. Not only do I do a lot of bending, lifting and hauling things, squatting or sitting crossed-legged on the studio floor shooting photos, etc., but comfort is just really critical to me. If I’m not comfortable in my clothes, I’m distracted by that, and with my daily to-do load I can’t afford to be distracted. So for all of those reasons and more, these pants have been a godsend.

2017 FOs 14-16 : Pants and more pants

FO 14: DENIM
These came right after the olive ones and are identical. After marking a change to the pattern to lower the waistline in the back, I forgot to actually do that when I cut them out. Whoops! I also bought stretch denim by accident (at Fancy Tiger while I was there) but just went with it. These are currently my favorite pants, but they are rather heavy in this heavy-weight stretch denim. Next pair will be lighter and non-stretch.

FO 15: NATURAL
When Kristine Vejar was in town to teach in September, she brought me the most thoughtful gift: a length of Huston Textile’s Union Cloth — climate-beneficial California wool and West Texas cotton, woven in California — that happened to be exactly enough for a pair of pants. It’s incredible fabric, unlike anything I’ve ever owned. And as you may have seen, I was sewing with it on the day of the Climate Beneficial Fashion Gala to console myself for not being able to be there — cruising along, feeling pretty pleased with myself … when I absentmindedly attached my waistband to the wrong side of the pants. And serged the seam allowance. If you’ve ever worked with fabric off a smaller loom like this — where there are fewer, larger strands per inch — you know how shreddy it is. And of course I had used a nice tight stitch. So ripping out the construction seam was a painstaking operation, done a little at a time, and then I had to actually cut off the serged edge to separate the waistband from the pants. So these wound up with a 1.5″ waistband instead of 2″, and they’re slightly lower waisted. But they’re kind of perfect, for all that. As special as they are, I’m going to try not to treat them as precious.  Although you probably won’t find me cross-legged on the studio floor in them …

FO 16: CAMO
These were the third to be cut, and their whole reason for existence is so I can wear my beloved old camo pants much more sparingly for however much longer they manage to last. These don’t begin to hold a candle to those spectacular old dears, but they’re pretty great. For this pair, I did lower the back waistline about an inch and I also trimmed away some of the “excess” fabric in the butt and legs (due to my flat ass). So the fit of them is a little more traditional, but I really prefer the baggier ones. This fabric is the dead opposite of the natural pair as far as origins — it’s made in China, purchased from JoAnn online. It’s also on the thin side for pants, despite the product reviews on the website. If anyone knows of a more earth-friendly, heavier duty camo source, please let me know!

To see copious pics of the denim and camo pairs on me, in combination with my other garments, see my 20×30 outfit recap. The natural ones up top are pictured with my Channel cardigan.

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Q for You: What’s your picky fit detail?

Q for You: What's your picky fit detail?

I’m pretty sure we all have a pet peeve or two, garment-wise — the little fit detail that can make the difference between most-worn and never-worn. Last weekend, I was posting on Instagram all the gory details of how I’m nailing down the exact length of the sleeves on this vanilla cardigan. Sleeves and neck shaping are the two potential deal-breakers for me. I can’t stand a garment that shifts around on me during the day, requiring me to tug at the neckline all the time, and same goes for sleeves. I want them out of my way, which means they’re either pushed up or rolled up most of the time. If a cuff is too wide to stay put when they’re pushed up — creating that perpetual push-and-slide scenario — I might actually lose my mind. And if they puddle on my hands when they’re pulled down, I definitely will. As I said the other day, I find this matter of sleeve length just that much more important on an oversized sweater like this. I want this cardigan to be nice and slouchy; I don’t want to look (or feel) like I’m swimming in it.

For me, that difference can be like a half an inch, and even though I have a blocked swatch and correct gauge and good math and preferred dimensions and all of that, no two sweaters sit or hang on the body precisely the same way. So since this one is top-down, what I’ve done is knitted one sleeve to just before the bind-off point and blocked it. Once I put it on, it was easy to see that it’s 6 or 7 rows too long — it already covers the top of my hand even without the bind-off row, whereas I want it to hit right at my wrist bone. So I’m ripping back the sleeve to 7 rows before the cuff, redoing the ribbing, and then it should be perfect. And I won’t have to worry about being institutionalized over a sleeve! It’s an easy enough thing to nail, and worth taking a minute to get it right.

So that’s my Q for You today: What’s the make-or-break fit detail for you — whether it’s a hat, socks, sweaters, whatever — and what do you do (or do you?) to get it just so?

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Wardrobe Planning: November sweater weather!

Wardrobe Planning: November sweater weather!

We went from days of sleevelessness to boots and sweater weather almost simultaneously with setting back the clocks. Sunday was the most perfect early-Fall day imaginable — trees in full color, the ground littered with leaves, and a breezy 78 degrees — and we literally woke up to cold and rainy early winter on Monday morning. The funny part is that on Sunday I was telling myself It’s cool, no need to be in a hurry, and was mapping out an outfit plan in my head that was all about faking sweater weather. (E.g. cowichan vest with tank dress and boots!) Then whoosh, and suddenly I’m standing in front of the closet dumbfounded and planless again.

Here’s the thing I’ve noticed while doing these wardrobe plans over the past year: They’ve slowed down my drive to make or acquire new things and have shown me how to get more mileage (i.e. more outfit combinations) out of the things I own. There’s still that old habit, though, of looking ahead to what’s new or in-progress or on my wish list rather than just concentrating on what I already own. And now there’s this whole new element of having laid out so many outfits over the past year that have never even been worn! So this next little plan is all about going backwards — digging up the unworn outfits, the favorite combos from the past few seasons, and the things that can become new again with just the addition of a cardigan or jacket, a switch from sandals to boots. And this time — for the first time since I began this — I’m not including anything in the plan that’s currently a WIP. Which means I’m also only thinking through the end of November, keeping it a little light still, and yes, looking forward to having my vanilla cardigan and natural wool pants to play with in December.

Wardrobe Planning: November sweater weather!
Wardrobe Planning: November sweater weather!
Wardrobe Planning: November sweater weather!
Wardrobe Planning: November sweater weather!
Wardrobe Planning: November sweater weather!

For details on all of the garments pictured, see my Fall Closet Inventory + camo/denim toddler pants post coming as soon as the natural ones are finished (soon!), but they’re all basically the same as the olive pair, with assorted variations. The black ankle boots are Everlane, and the tan flats are identical to my silver ones, handmade by Solid State Studios. An early holiday treat for myself!

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PREVIOUSLY in Wardrobe Planning: 20×30 outfits and after-thoughts

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Stella Tennant and the age-defying sweaters

Stella Tennant and the age-defying sweaters

Feeling the need for a good ol’ fashion bask last night, I went combing through the Spring 2018 runway collections, and wow did they leave me wanting. (At least we had this.) The only thing that really lit me up was this photo of Stella Tennant (one of my all-time favorites) looking amazing on the Balenciaga runway. Which reminded me: Over the past few years, I’ve run into multiple references to an editorial that apparently ran in the November 1996 issue of Vogue — more specifically Vogue Paris, it turns out [who knows where, see Update below] — in which Stella swanned around in some of the most perfect knits imaginable, which is exactly what I was craving. So I googled. It’s hard to be 100% certain of anything under these circumstances, but I believe all of the images here are from that editorial. And since I could gaze at them forever, would like to be certain about which others of all the images that come up in a Google image search are from the same story, and want to see the whole thing in its original glory, I actually went to eBay and found a copy for sale.

1996 is the year I moved from Austin to Columbus to San Francisco — changing jobs and cities twice — and I remember the state of fashion pretty vividly as a result. Especially the state of street style in SF that winter. There are a lot of similarities between that moment and this moment, but even so, if I told you these images were from the November 2017 issue, nobody would doubt it for an instant. In fact, plug in any year between then and now and it works.

The cardigan in the top photo brings to mind the Lauren Manoogian version that’s been all the rage for several years now, but in a somewhat more gossamer form. Or something like an oversized Cabernet? The turtleneck worn with it is essentially a shorter Forester, with wider waist ribbing. (Or try Carrowkeel with two strands of fingering held together for the marl.) And the coat below makes me think of Brandi Harper’s new Carmen Coat.

[UPDATE 11.22.17: I am now in possession of both the US and Paris Vogue issues from that month, and neither of them includes any of these images, although the US one does have a Stella Tennant-in-the-woods feature in which she wears another lovely, simple turtleneck sweater like this. So I’ve inadvertently contributed to misinformation about these photos! If anyone knows when or where they actually did run — if they are even all from the same editorial — please let me know!]

Stella Tennant and the age-defying sweaters

By the way, did I mention that Paulina Porizkova was at Rhinebeck? Sadly, I did not bump into her.

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PREVIOUSLY in Fashion: First of the Best of Spring 2018

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Our Tools, Ourselves: Niree Noel

Our Tools, Ourselves: Niree Noel

Every time I invite someone to answer these Our Tools, Ourselves questions, my hope is to learn (and share) something new about them. Some of the respondents are people I/we know very well; some I know just a little; and others I know almost nothing about. In all three cases, the answers often surprise me. Take the case of Niree Noel here, who you may know as @niree_knits on Instagram. She came to my attention because she routinely shares jaw-droppingly great photos on the #fringefieldbag feed (quite a few of which are included here). Niree is gorgeous, stylish, well-traveled, and she apparently takes a Field Bag with her everywhere she goes — whether it’s some fashionable party, the desert, the flower shop, or the roof deck of MoMA. So I wanted to know more about her and her knitting life, and she graciously obliged.

What I learned is that she’s only been knitting two years, and that she took it up as a way to manage adult-onset anxiety, which she just recently wrote a piece about for Allure magazine. As someone who battled a crippling anxiety disorder throughout my teen years, and often wish someone had putting knitting needles in my hands at that time, I was especially touched to learn this about her. I always says in interviews how much it meant to me, when I did take up knitting, to be making something tangible again — to watch something spring into existence right in front of me. So I was particularly struck by this line from her Allure article: “When something grows in front of you, something you’ve created with your hands, you grow with it.”

I hope you’ll enjoy reading the interview below and the Allure piece. Thanks so much for doing this, Niree!

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Do you knit, crochet, weave, spin, dye, sew … ?

I’m a knitter, mainly. While I can crochet and certainly do on occasion, I reach for my knitting needles most often. I’ve dabbled in weaving a few times but always come back to knitting for the elegance and intellectual challenge of it. I used to sew when I was younger and would still love to, but between moving across cities and coasts, and navigating an unpredictable career as a freelance writer and editor, I just haven’t prioritized making time or space for getting back to the sewing machine. Even still, I associate both knitting and sewing with a nostalgia of my childhood; my grandmothers, one from Armenia the other from Iran, taught me those skills when I was growing up (even though I abandoned both by my teen years). Then about three years ago, I started knitting seriously. My grandmothers’ garments, always sophisticated in taste and impeccably made, have definitely inspired my perspective and sensibilities.

Tell us about your tool preferences and peccadilloes.

When I first started knitting, I was a straight-and-bamboo type of lady. Then I tried circular-and-bamboo, and while it was awkward at first, quickly fell in love with the ease and efficiency of knitting off a cord. About a year in, I noticed my bamboo splintering and taking on the color of my yarn. I went to Purl Soho and picked up my first Addis, which were an absolute revelation. I have a set of the Lykke interchangeables that I like to use with certain projects, but my trusted go-tos are the Addi Turbo Rockets: fixed, 40-inch, perfect for knitting flat or in the round, and long enough for magic loop. In all these years, I have avoided DPNs, but despite joking about having a fear of them, I think I’m going to try them out to see what I may or may not be missing.

Does the Fringe Field Bag count as a tool? Because I have both the black and the natural and they are, by far, my most consistently used knitting-related item.

Our Tools, Ourselves: Niree Noel

How do you store or organize your tools? Or do you?

As far as organizing my tools, my Lykkes sit nicely in their beautiful case, on display on my shelf. The rest — my Fringe Supply Co. leather and brass stitch markers, Twig & Horn gauge ruler, Row House stitch markers (that come in jumbo sizes), measuring tape from Stephen & Penelope in Amsterdam, vintage bonsai shearers from a boutique in Petaluma, California, tapestry needles in a wood container from Pulp Soho, crochet hooks and neatly wound circular needles (if any are unused) — go in a canvas zip bag I picked up at a flea market in Park City, Utah. Oh and my Muji pens and Moleskine notebooks, too.

How do you store or organize your works-in-progress?

In my Fringe Field Bags! Neatly folded up. I keep all my project notes in one notebook (that goes inside the notions bag), so I just move that bag between Field Bags, and I’m good to go.

Our Tools, Ourselves: Niree Noel

Are there any particularly prized possessions amongst your tools?

These aren’t my tools per se but my mom has this retro sewing basket, and she has a thimble and green measuring tape in there that I remember from my childhood. I’m going to transition those into my arsenal one day when she’s not looking.

Do you lend your tools?

I taught my best friend how to knit and was lending her my needles and tools until I gifted her a set of her own for her birthday. If I were to teach anyone else how to knit, I’d of course share my things, but everyone I know who already practices the craft has an extensive collection of odds and ends.

What is your favorite place to knit?

My favorite and most productive place would definitely be my bed, next to my window, with a cup of coffee. It would only be more perfect if my dog, who currently lives in LA with my parents, were on my lap. I love meeting up with the various knit groups I’ve joined in New York, but that sometimes ends up in undoing more than doing. (Especially if we’re meeting over drinks!) There are a few outdoor spots I love as well, if the weather allows: along the shore of the East River, or somewhere lost in Prospect or Central Park.

What effect do the seasons have on you?

I’m a seasonally inappropriate knitter and have consistently failed to make anything in time for anything. I’ve missed birthdays, and ended up with an alpaca sweater in the spring and half a cotton tank in the fall. I buy wool year round, and finished a 9×16 foot-long wool blanket last July. I wish I planned ahead, or planned better, but I really just go with whatever I find or whatever I’m feeling in the moment.

Our Tools, Ourselves: Niree Noel

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

Even if the fabric is just plain stockinette, I obsessively count my stitches. On each and every row. I think part of it stems from the fact that I picked up knitting to ease some pretty serious adult-onset anxiety (I wrote about this for Allure), so the repetition forces me to focus and gets me into a calm rhythm. It’s slightly annoying when I’m trying to knit and watch a show, or knit and listen to an audiobook, and it can definitely look funny when I’m caught muttering to myself. Despite all that obsessive counting, I still make frequent and embarrassing mathematical errors. C’est la vie.

What are you working on right now?

Right now, on my needles, I have:
– the Needed Me cardigan in a vibrant orange mohair, courtesy of Wool and the Gang
– an improvised top-down v-neck crop raglan sweater in Madeline Tosh’s A.S.A.P. (Gentle Monster colorway)
– another improvised top-down v-neck situation, but a gray cardigan with set-in sleeves, made on size 0 needles in Shibui’s Cima yarn
– an amber/brown triangle shawl with lacework and floral motifs, designed on Jordstad Creek’s Cornwall courtesy of Row House
– Purl Soho’s Diagonal Pinstripe Scarf, in a cream alpaca and berry wool combination
– my first pair of socks in Oysters & Purls hand-dyed yarn (I’m stuck on the heels!)

Upcoming, I have:
– a bonnet for my cousin’s newborn daughter
– a sweater for a friend
– a sweater for myself, with Morris & Sons yarn my parents brought back from their travels in Australia
– a skinny tie for my brother
– a beanie for another friend

And the list goes on…

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Hot Tip: Steam out the kinks

Hot Tip: Steam out the kinks

One of the hottest debates among knitters is what to do with the kinky-curly yarn that results from ripping out your knitting. If you just knit with it, will it affect your gauge? If so, do you soak and dry it in hanks (flat or hung?), or just knit a new kinky gauge swatch? Or none of the above. Like most knitting-related matters, everyone’s advice and experience is different. Romi Hill (you know her amazingly intricate designs, right?) says it does affect her gauge, and her favorite solution is to simply steam the kinks out of the frogged yarn before beginning again.

A hand-held steamer or travel steamer is also a handy tool for blocking knits when you don’t have time for a full soak, or just for freshening things up from time to time.

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Images courtesy of Romi

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