Slow Fashion October, Week 5: KNOWN — and a roundup of yarn resources

Slow Fashion October, Week 5: KNOWN — and a roundup of yarn resources

It’s Week 5 of Slow Fashion October already, our final week (such as it is), and our theme is KNOWN. Let’s talk about favorite sustainable resources / the changing concept of “local” / traceable fabric and yarn origins / traceable garment origins / reference books, films, videos. How much do we know, where did we find or learn it, and how can we share both the resources and the knowledge?

At the core of “slow” anything — slow food or slow fashion — is knowing (i.e, asking) where things come from. Buying meat from a nearby farmer that was butchered just down the road is a whole different exercise from buying meat in a chain grocery store and having no idea who raised it, under what conditions; what factory it was processed in, and when; how it was handled between that factory and you. No way of knowing what exactly it is you’re buying or who and what you’re supporting with your money, other than the grocery chain’s CEO. Same thing goes for clothes. Once you start asking where your shirt or your fabric or your yarn comes from, you become more aware of the entire chain of farmers and mills and factories and global shipping companies and distributors and retailers that all have a role in getting fleece or plant fiber from the farm to your closet or your stash. And you start to make more thoughtful decisions about what you put your money into. Or you try to, anyway.

The fact is, knowing is hard — both the finding things out and the knowing what to do about what you know or don’t know. I’m exhausted and limp-brained right now trying to formulate thoughts about it. Buying clothing from a small-batch designer with in-house production instead of a mall store cuts out a lot questions and middlemen to wonder about, but they’re still sewing with fabric they probably can’t tell you much about. Fabric is the hardest, which you know if you sew. Maybe you know something about the fabric company, maybe they’ll tell you what country the fabric was made in, and you can take their word (or not) for whether that distant factory operates in ethical ways, paying their workers a living wage and providing a safe working environment. But even then, where did the fiber come from? How was it dyed? Once you start pulling that thread (no pun intended) you realize how long and tangled it is.

Yarn is the easiest. Not all yarns are transparent — not by a long shot — but a lot of them are, and listing some of those is a thing I can do! I’m focusing on the US because that’s where I am, but what I would love to see this week is a whole lot of listing and sharing. So here’s my sliding-scale overview of some conscientious yarn options, which I truly hope you’ll build on:

Farm yarns: As I mentioned last week, farm yarns — yarns sold by the farmers who raised the animals — can be found at farmers’ markets and fiber festivals everywhere. When you buy directly from a farmer (especially a local one whose farm you might even visit), you not only support the farmer directly, but you can get to know basically everything about that yarn, from the specific breed of animal/fiber to how and where the yarn was milled. Farm yarns vary greatly in terms of how big the batches are and what the price is, depending on how big their flock is, how far the fleece has to travel (round-trip) to be processed, and whether they’re only selling it themselves or whether there’s distribution involved. You’ve got tiny little enterprises like Sawkill Farm or Green Bow Farm (or those without even a website) at one end of the spectrum and Imperial Ranch Yarns at the other end, where they’re producing significant amounts of yarn and distributing it through yarn stores everywhere, but it’s still ultimately farm yarn, bearing the label of the ranch it comes from.

Boutique yarns (for lack of a better term): I’m thinking mainly about a breed of yarn store owners who’ve developed their own small-batch yarn, working with farmers and/or a mill. Examples: 1) Heirloom from Fancy Tiger Crafts, who developed their all-Romney yarn in conjunction with Elemental Affects. Jaime and Amber can tell you anything you want to know about the two farms where the sheep are raised and the mill where it’s spun.  2) Snoqualmie Valley Yarn, which Anna at Tolt Yarn and Wool had spun from the previously unused fleece of a neighbor farmer’s BFL–Clun Forest sheep. 3) Several yarns, at this point, from Kristine Vejar at A Verb for Keeping Warm, who likewise is gathering fleece from a variety of compelling sources and having these site- and breed-specific yarns milled, which she then naturally dyes. These include Pioneer, Big Sky, Clover and Flock. 4) She’s not a yarn store owner, but I would also put wool guru Clara Parkes’ Clara Yarn in this category, among many others.

Mill yarns: Just like a lot of farms produce and sell their own yarn, so do some mills. Harrisville and Green Mountain Spinnery are two prominent examples of mills that spin yarn for other well-known brands as well as for their own line. Mill yarns can be a little more affordable than smaller-batch farm and boutique yarns because there’s one less link in the supply chain. Mini-mills do tiny batches of yarn from a wide variety of fleeces and farms because they don’t require the same volume of fleece in order to spin a batch. For instance, you never know what Abundant Earth Fiber might have on offer at any given time.

Brooklyn Tweed: An example of a small yarn company with a little bit higher volume leading to a more affordable yarn but still with lots of transparency. BT discloses the entire supply chain of the yarn — from the scouring plant in Texas to the dye house in Pennsylvania to the mill in New Hampshire. We also know that the fleece is a mix of Columbia and Targhee from sheep raised in Wyoming — the only thing we don’t know is exactly what farms the fleece comes from.

Quince and Co: A little further down the transparency spectrum, Quince yarns are a great and very well-priced option for anyone wanting to know that what they’re buying was subject to US laws and restrictions, and not shipped in from around the globe. Bigger yarn companies buy fleece from brokers. The wool comes from all over the world and is sorted by color and diameter and other qualities, as opposed to by breed or point of origin. So when you see “100% wool” on a yarn label, that’s really all you know — it could come from anywhere or be from any number of kinds of sheep. Quince, on the other hand, uses only US-raised fleece for their wool yarns, so while we don’t know the specific breed, much less the specific farm(s) raising it, we do know it’s all sourced and processed in the US.

Obviously, these yarns are a drop in the bucket. I’m leaving out dozens of great, affordable, transparent options. I would love it if you would enumerate them in the comments! Especially those specific to other parts of the world.

And will someone PLEASE do a similar roundup of conscientious, traceable fabric options? I’m begging you.

EDITED TO ADD: I realized this morning I left out the entire category of hand-dyers. It wasn’t an intentional omission but I admit it may have subconsciously been due to the fact that the hand-dyeing subset of the yarn business is complicated. Not a lot of dyers are developing their own yarns or even particularly mindful of origin. When asked, many or most couldn’t tell you where the fleece came from — they’re buying finished, undyed yarn from mills or brokers based on a huge variety of factors and preferences, and origin may or may not be one of them. On top of that, many hand-dyers use primarily superwash wools, which are very heavily processed. Hand-dyers are lovely people who adore yarn — some of my best friends are dyers! — and when you buy from them, you’re supporting small/local businesses, and that’s all good. Several dyers focus on natural (non-superwash) fibers, and there are some that offer known-origins yarns but the ones that spring to mind did so in the past and have moved away from that level of specificity. So if you want to buy from a hand-dyer and you have questions about their yarns or their process, check their websites for details and/or ask them.

EDITED AGAIN TO ADD: I’ve highlighted four dyers on Instagram this afternoon.

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PREVIOUSLY in Slow Fashion October: Elsewhere, Slotober edition 3

Photos © Anna Dianich / @toltyarnandwool

Elsewhere: Slotober edition 3

Elsewhere: Slotober edition 3

The discussion around Slow Fashion October has gotten so meaty, and I just continue to be so inspired and in awe of it all, and so thankful to everyone who has contributed. This week’s links are genuinely important, taken on the whole, so I hope you’ll take some time with them. And also with the few things I’ve shared on the @slowfashionoctober feed, if not the entirety of the #slowfashionoctober hashtag this week. So much to think about—

– “The next time you’re about to buy something, ask yourself this: Where will this piece of clothing go after I no longer want it?<— If you read nothing else this weekend, please read this (And if you haven’t watched this beautiful and eye-opening video, do that next)

– “I’m slowly but surely drifting away from the idea that once the last loose end has been woven in, a garment is finished.”

– “One thing he talks about is taking time to fully have an experience, just focusing on what you’re doing instead of already planning the next thing you’re going to do after it. I want to do craft like that.

– “I like the idea of this shirt getting worn, loved and stitched as the years go by … growing better, stronger and more loved with each stitch and adventure.”

– “That’s what makes a good sweater great … knitting it for someone you love.”

– In the absence of my sashiko tutorial, I give you this looser one that posted on Design Sponge earlier this month: Three easy ways to mend fabric, inspired by Japanese textiles. (thx, ashima71) (I did manage to restock the sashiko thread, at least, so you can find all of the colors, minus navy, back in the webshop. Along with some other quality, handcrafted gems.)

– And speaking of not-quite-tutorials, upcycling, and hand-stitched denim, don’t miss Gridjunky’s notes on his drawstring bag

Happy weekend, everyone! I hope we’ll be seeing some of you at Fiber in the ’Boro!

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PREVIOUSLY: Elsewhere

Photos left to right: Design Sponge, Project Stash, Gridjunky

Elsewhere: SFO edition 2

Elsewhere: Slotober edition 2

Slow Fashion October rages on, to my great delight. Here are some highlights and related links for this week—

– Best, funniest slow fashion-y tale of all time: the conclusion of Eight Yarns, One Sweater (and yay! Kay and Anne are blogging again)

– Lots of people discussing/questioning the kids’ clothing aspect of all of this; I wanted to highlight this blog post of Wilfumina’s ; see also @brienne_moody’s great IG post as well as @xilary’s

– Loved this personal history from Fancy Jaime, one of my handmade heroes

– and seeing the Kollabora team jump in

– Thoughts on slow fashion from a fast-fashion employee

– An episode of Craft in America (recommended by Karin Marie in comments), which I haven’t had a chance to watch but sounds fascinating, Threads

– Same goes for this podcast interview with the founder of Zady (recommended by Beatrice)

– And I’m eager to catch up on the latest contributions on this topic from A Playful Day and Curious Handmade (I need to figure out to work podcast time into my life somehow)

– Favorites from the #slowfashionoctober feed this week include Bristol’s hand-me-down sweater and this extremely dapper fellow (and so many more — please check out the full feed!)

– Two newly launched ventures I want to mention: Sifted aspires to be a slow-fashion directory/resource, and Martha McQuade’s @fiberdestash will help you re-home your stash. I’ve also seen talk of attempts to put together a fabric stash exchange of some kind. Will you all please note any and all resources like this in the comments below?

I also want to congratulate my friends Sam Lamb and Elizabeth Duvivier of Squam fame on the collaboration that’s resulted in their first sewing pattern, the West Water tunic — which felt especially sweet to me since I met Sam at my first Squam (which was also her first Squam) and my cabin (and Anna’s) was West Water. Love all these ladies. Also brand-new are the Fancies’ Fen Pattern, which I’ve been impatiently awaiting for  months, and Jen’s Tamarack Jacket. Can I please have a week to do nothing but sew all day and knit all night??

Bookhou large pocket pouches from Fringe Supply Co.

OK, speaking of known-origin, artisan-made goods, I’m happy to announce that these beloved Bookhou large pocket pouches are finally back in stock at Fringe Supply Co., in a couple of new print variations. Arounna of Bookhou is one of my heroes. She draws her designs, screenprints her fabric, and does all of the cutting, sewing and leatherwork, all in her Toronto studio with the help of her mother on the production end. Beauty, quality, utility and artistry — the whole package. I love being able to say that your support of Fringe Supply Co. not only makes it and this blog possible but also helps to support small maker businesses like Bookhou. Thank you so incredibly much to everyone for that.

I’m off to my very first Rhinebeck!! Have a great weekend, wherever you are.

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PREVIOUSLY: Elsewhere, SFO edition 1

Photos left to right: @brienne_moody, Anne Shayne, @bristolivy

Elsewhere: SFO edition

Elsewhere: Slow Fashion October edition

The abundance and richness of discussion that have sprung up around Slow Fashion October is already beyond whatever I may have anticipated, and I continue to do my best to keep up. If you haven’t read the comments and blog posts on this week’s theme post, that alone could keep you busy for a bit. I’m also attempting to highlight some of the standout posts at Instagram by mentioning them on the @slowfashionoctober feed. If you’re not technically on Instagram, click through to that feed in your web browser and explore those. I highly recommending spending some quality time with the entire #slowfashionoctober Instagram feed, though — it’s pretty amazing. And also the hashtag activity at Twitter.

I’m planning to do an Elsewhere-style post every Friday this month, as a way to highlight some of the great blogger contributions and also to mention some other/related worthwhile links, so here we go:

SLOW FASHION OCTOBER

Z’s origin story cracked me up (and she also did a great post recently about some ethical shoe brands)

– I love Felicia Semple’s thoughts and her focus for the month on making herself the frocks she never gets to, but don’t miss this earlier post from her about the human brain and desire

– Karyn Valino is spending the month revisiting patterns she sewed when she was new to sewing — read her intro and keep up with her series as it develops here

– Then there’s Liesl Gibson on living with plenty

– Fibre Sprite on the distinction between sustainability and wasting less

– and Kristine Vejar on the evolution of her Seam Allowance club (in which she also mentions a few more good shoe companies)

RELATED

The case for expensive clothes: “The next time you buy something, spend a whole lot on it. Enough that it makes you sweat a little.” (thx, Kay)

Why I wear the exact same thing to work every day: “To state the obvious, a work uniform is not an original idea. There’s a group of people that have embraced this way of dressing for years—they call it a suit.” (thx, Jennifer)

The hypocrisy of “helping the poor”: “Every so often, you hear grotesquely wealthy American chief executives announce in sanctimonious tones the intention to use their accumulated hundreds of millions, or billions, “to lift people out of poverty.” …  In most cases, they have made their fortunes by impoverishing whole American communities, having outsourced their manufacturing to China or India, Vietnam or Mexico.” (thx, Elizabeth)

Vintage Kate Davies: “And we luxury knitters wrap ourselves in fuzzy notions of domestic continuity and tradition, consume mountains of expensive yarn, and somehow still manage to pass off the results as utilitarian and homespun rather than extravagant.” (thx, Brynn)

Vintage Ysolda: “I pretty much help people to make their own clothes for a living, but I make a very small percentage of my own wardrobe. In many ways, I’m not sure that opting out of the global garment industry is a solution.” (thx, Ashley)

– See also the URLs Bristol Ivy shared in this IG post

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Double Basketweave Cowl kit in Bare at Fringe Supply Co.

In Fringe Supply Co. news, a lot of you have asked for photos of the Double Basketweave Cowl worked up in the undyed Sincere Sheep Luminous and I’m happy to finally have these to share. (Thanks to Jo for knitting the sample!) This version was also knitted with 3 repeats of the pattern instead of 4, for those who’ve wondered about making it a bit narrower. We have a good cache of the undyed cowl kits for you in the shop right now, and we’ll have more of the indigo soon! And in the spirit of Slow Fashion October, I’ll note that all Sincere Sheep yarns are responsibly sourced and naturally dyed.

Have a great weekend, everyone! I’ll see you on the Slow feed.

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PREVIOUSLY: Elsewhere, Cowichan edition

Best new hat patterns — Fall ’15

Best new hat patterns — Fall ’15

Fantastic new hat patterns have been publishing at a furious pace lately (and I know a lot of you are formulating your holiday hat-knitting lists), so I thought it was time to round up some of the most enticing ones—

1. Karusellen by Erica Smith — very likely my next colorwork project

2. City by Mari-Lynn Patrick —simple chic

3. Weston Beanie by Mary Jane Mucklestone — lovely, delicate colorwork

4. Fair Winds Beanie by Churchmouse Yarns (free pattern) — classic cables

5. Manx by Andrea Rangel — captivating criss-crossing cables

6. Spire by Shellie Anderson — architectural allover texture

7. Ponderosa by Melody Hoffman — sweet mix of textures

8. Kringla Hat by Jennifer Hagan — lighthearted mix of cables and bobbles and fluff

Of course, if you’re looking for hats to knit, I highly recommend the Fringe Hatalong patterns: Audrey, L’Arbre, Hermaness Worsted and Laurus (so far). And for more hat ideas and inspiration, scroll through the whole hats tag.

New Favorites: from Farm to Needle

New Favorites: from Farm to Needle

First, can I just tell you: I am blown away by the response to the Slow Fashion October kickoff. I’ve been reading all of the comments and blog posts (linked from the comments) and Instagram posts and their comments and ensuing discussions and … wow! I’m a little fearful of my ability to keep up with it all! But so thrilled to see that this has struck a chord and that so many people are into it. I’m more excited than ever to see what everyone has to say and share this month.

Second: This post is weird. But New Favorites is all about patterns I’m dying to knit, right? And right now at the top of that list is my own pattern. Weird, weird, weird. A lot of you had asked me to write out my version of the vintage men’s waistcoat I knitted earlier this year, but I really wanted to rework it from the ground up — different weight, stitch pattern, shoulder shaping, the whole nine yards. So when Anna officially asked me if I’d like to design something for her book — now known as Farm to Needle — given that Anna is a vest fiend like me, I suggested doing just that. And the Anna Vest pattern was born. The thing is: I didn’t knit it, and it’s not my sweater. I wrote the pattern and enlisted my amazingly talented friend and master sample knitter Jo Strong to do the principal knitting for me. I did the finishing and sent the vest off to be photographed, and am left wanting one of my own. So there it is: on my New Favorites list, with all the usual longing. (I also want the model’s braids.)

There isn’t a single thing in the whole collection that I wouldn’t love to make and have, but to my great surprise, the one other pattern I can’t get out of my head is Dianna Walla’s Aspen legwarmers (and socks), which must surely be the most fabulous legwarmers in history. Yes, I did just profess my love for a pair of legwarmers.

Weird, weird, weird.

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PREVIOUSLY in New Favorites: Dress-down sweaters

Knit the Look: Rachael Wang’s silvery cables

Knit the Look: Rachael Wang's silvery cables

You know my current obsession is slouchy dress-down sweaters over simple dresses, and I like ’em cropped, but I’m loving this long, all-platinum version photographed on Rachael Wang. To approximate her fisherman-cable sweater, all you need is Paton’s free pattern, the Honeycomb Aran pullover, knitted it in something luxe and silvery, such as Woolfolk’s Far in Color 03 or The Fibre Company’s Knightsbridge in Barley. Make it a size too big, and add a repeat or two above the hem.

If you’ve got the chops for sewing silk, you could easily make the dress to go under it. See April Rhodes’ Slip Dress pattern, which comes included with the Date Night Dress. Just cut it straighter and longer.

See Vanessa’s post for another look at Rachael’s outfit, head to toe.

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PREVIOUSLY in Knit the Look: Alex Yuryeva’s plaid pullover

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Street style photo © Vanessa Jackman; used with permission